Established in May 1999 by founder and director Laura Hassler, and registered as a charitable foundation in 2000, Musicians Without Borders is the world’s pioneer in using music for peacebuilding and social change.
Laura mobilized her network of socially conscious musicians to create an organization dedicated to using music to bridge divides, connect communities and heal the wounds of war. The organization’s first long term project, the Music Bus, brought music, dance and theater to children in Srebrenica and its neighboring towns and refugee camps.
Following the success of the Music Bus, Musicians Without Borders was invited to conferences and cultural events in Kosovo and in Palestine, which would later lead to two of its founding programs, the Mitrovica Rock School and Palestine Community Music. In the years that followed, Musicians Without Borders expanded to include programs in Central Eastern Africa, Central America and Europe.
Today, Musicians Without Borders engages with artists, social activists and communities worldwide. We share expertise as we work to enable musicians to be advocates, activists, teachers, and performers, with the message: War Divides, Music Connects.
The International Council for Traditional Music is a scholarly organization which aims to further the study, practice, documentation, preservation, and dissemination of traditional music and dance of all countries. To these ends the Council organizes World Conferences, Symposia, Colloquia, and Fora, and publishes the Yearbook for Traditional Music and the online Bulletin of the ICTM.
As a non-governmental organization in formal consultative relations with UNESCO and by means of its wide international representation and the activities of its Study Groups, the International Council for Traditional Music acts as a bond among peoples of different cultures and thus contributes to the peace of humankind.
In Place of War is a global organisation that uses creativity in places of conflict as a tool for positive change.
We enable grassroots change-makers in music, theatre and across the arts to transform a culture of violence and suffering into hope, opportunity and freedom.
An £800,000 award from the Arts and Humanities Research Council to the Institute is funding a unique project: The role of sound, narrative, music-making and digital media in conflict transformation.
The research, led by Professor Fiona Magowan, School of History, Anthropology, Philosophy and Politics, is being conducted in the Middle East, Brazil and Northern Ireland. She says, “As a musician and an anthropologist, I’m passionate about the significance of music in social life. I carried out research in North East Arnhem Land, in a small island community called Galiwin’ku, with Yolngu people who express their connections to land in ritual performance. I wanted to understand women’s songs and their relationship to men’s song performance, since beliefs, emotions and cultural rights are vested in their ritual language of the environment.”
The new AHRC project involves four coinvestigators: Professor Pedro Rebelo (Director, Sonic Arts Research Centre), is a composer, sound artist and performer, whose research focuses on Brazil; Professor Beverley Milton- Edwards (School of History, Anthropology, Philosophy and Politics) will research counternarratives to ISIS through popular music; Dr Julie Norman (Queen’s Research Fellow, Mitchell Institute) will be working with music and media among Syrian and Palestinian refugees; and Dr Stefanie Lehner (School of Arts, English and Languages) is analysing the dramatisation in Northern Ireland theatres of issues relating to the conflict and the way different voices come into play.
Fiona says, “The art of peace-building is the art of compassion and performance enables that compassion to be manifest. I will be looking at Musicians Without Borders, an international organisation with training programmes based in Derry, who are using music to bring together those affected by conflict. We’ll be exploring how the use of music can impact upon and potentially transform lives, as well as open up new spaces of engagement to alleviate trauma.”
Material collected throughout the project will contribute to a final sound-art installation and exhibition to be showcased in Derry and Rio de Janeiro.
Fiona says, “We will analyse the complexities of how music makes transformations possible and what is realised and experienced in these engagements. What kinds of processes are involved? To what extent are societies being transformed and how?”