Publications
Books
Urbain, Olivier (ed.). [2008] 2015. Music and Conflict Transformation:
Harmonies and Dissonances in Geopolitics. London: I.B. Tauris.
________ (co-ed. with Felicity Laurence). 2011. Music and Solidarity:
Questions of Universality, Consciousness and Connection.
Piscataway: Transactions.
________ and Craig Robertson (eds). 2015. Music, Power and Liberty:
Sound, Song and Melody as Instruments of Change.
London: I.B. Tauris.
Book Chapters and Articles
Golden, Michael. 2011. “On Music, Interconnection, and Consciousness,” in
Music and Solidarity (see details above).
________. (pending). “The Music In and Of Ecology,” in Perfect Beat.
Sheffield, UK: Equinox Publishing Ltd.
Kobayashi, Hiroyasu. 2015. “From Japan to the World: Music for all People” in
Music, Power and Liberty (see details above).
Robertson, Craig. 2010. “Trying to be Normal: Music and Conflict
Transformation in Bosnia” in Music and the Arts in Action, Vol. 2, No. 2.
________. 2014. “Sounds of Dissent: Music as Protest” in Protests as Events.
New York: Rowman & Littlefield.
________. 2015. “Musical Processes and Social Change: Reflexive
Relationships with Identity, Memory, Emotion and Beliefs” in Music,
Power and Liberty (see details above).
________. 2015. “Whose Music, Whose Country? Music, Mobilisation and
Social Change in North Africa,” in African Conflict and Peacebuilding
Review, Vol. 5, No. 1, Arts and Peacebuilding (Spring 2015), pp. 66-87.
________. 2015. Music, Religion and Reconciliation. Oxford: Oxford
University Press.
________. (pending). “Understanding Music and Non-Violence Through
Understanding Music and Violence” in Thammasat Review.
Sandoval, Elaine Chang (co-author with Andrea Landin, Carlos Roldan, and
Sara Zanussi). 2013. “Say Yes to Assess: An Exploration in El Sistema-
Inspired Assessment Practice.” Sistema Fellows Program.
Urbain, Olivier. 2001. “Jazz and Social Justice (Part 1): Giving Voice to the
Voiceless” in: Soka University Peace Research # 22.23 (2000/2001) pp.
57-68. Soka University Peace Research Institute.
________. 2003. “Transcend and Art: the Theory and Practice” in The
Japanese Journal of TRANSCEND, Vol. 1 # 1, March 2003 pp. 15-20.
________. 2008. “Introduction,” in Music and Conflict Transformation.
________. 2008. “Art for Harmony in the Middle-East: the Music of Yair
Dalal,” in Music and Conflict Transformation.
________. 2009. “Nonkilling Arts.” In Toward a Nonkilling Paradigm,
edited by Joam Evans Pim. Honolulu: Center for Global Nonkilling.